
smack-head style jamming
1. Brotherhood Of Man: Predator Vision s/t cassette (Future Sound, 2007)
2. Spirit In Flesh: Predator Vision s/t cassette (Future Sound, 2007)
3. Eyes Of The Demon: Predator Vision II cassette (Abandon Ship, 2008)
4. The City's A Jungle: Predator Vision II (Abandon Ship, 2008)
5. Real Aliens: Sun Araw split l.p. (Not Not Fun, 2009)
I'LL BLEED YA, REAL QUIET (new link)
£££
Rhys Chatham - Selected Works 1971-1989
(Table Of The Elements, 2002)


Tracklisting:
CD 1
Two Gongs (1971)
CD 2
Die Donnergötter (1985)
Waterloo, No. 2 (1986)
Drastic Classicism (1982)
Guitar Trio (1977)
Massacre on MacDougal Street (1982)
CD 3
An Angel Moves Too Fast to See (1989):
i. Prelude
ii. Intro
iii. Allegro
iv. No Trees Left: Every Blade of Grass is Screaming
v. Adagio
[wiki]

Born Against Live At Gilman Street (1993)...
Albany Academy
Mary And Child
Nine Years Later
Riding With Mary
This Trash Should've Been Free
Shroud
Footbound And Hobbled
Mountain Dew
The Good Father
Wearing A Lampshade
Five Dollars An Hour
Poland
Bit Part In a Bad Movie
Movin On Up
A Whopper of a Tale
Lillian
CHOKE

"Tom Fazzini’s combination of minimal synth and brutalist/absurdist industrial songs had more in line with the broader discomforts of the early 80s international tape network, Family Fodder, LAFMS, Flying Lizards and Ralph records than the agit pop that dominated the Leeds music scene at the time. Once an outsider, always an outsider." Locust Music
Tom Fazzini - Neck To Neck (1984)...
HERE

Documentary about the rise of tin-pot Skateboard mogul Steve Rocco, whose company 'World Industries' and it's cohorts (Blind, Plan B, 101, Foundation) were instrumental in revolutionising the skate industry, away from the vert riding skulls n' daggers stench of the 80's and giving the kids what they'd wanted: proper street skating, good design aesthetics and unorthodox ad campaign's.
The Man Who Souled The World (2007)...
Skate Video Days compilation posted way back...
HERE

The path of Superion is the ultimate journey into the dark and forbidden domains of knowledge, strength, power, hatred and the loss of weaknesses such as the "guilty conscience" and the feeble moralities that are forced on to the common man of this age. Without the purest of commitment to these words, there can be no victory.
Revenge:
Attack.Blood.Revenge (Dark Horizon, 2001)
Superion.Command.Destroy (War Hammer, 2002)
HERE
J Read interview

This is where it all began. That 30% or so of black metal bands who play that style that sounds like nothing but chaos to the inexperienced and at its best represents the dizzying heights that black metal can be taken to. Beherit, Proclamation, Conqueror, Revenge, Archgoat… these bands would sound nothing like they do or did if it wasn’t for Blasphemy. Combining the speed of grindcore, the hardness and grit of first wave death metal, and the evil of early black metal (such as Mayhem – Deathcrush), Blood upon the Altar showcases Blasphemy’s unique take on extreme metal in its rawest, most unrefined form. Their instantly recognizable style would soon be developed and matured until it reached its peak on Gods of War four years later, but Blood upon the Altar is still an undeniable classic, the very first of its kind. (Metal Archives)
Blasphemy - Blood Upon The Alter (demo, 1989)...
HERE (new link)

Analog/Electronics Higher National Diploma. Tutor - Jim Jupp
Belbury Poly - The Willows (Ghost Box, 2004)...
Application Form
Courses/Information

In 2008 my brother in law Henry, perhaps known to some of you as Riton, released his "Eine Kleine Nacht Musik" album. This beautiful (& maybe a bit overlooked) album was in part inspired by the records that I'd lent him from my Krautrock collection. We put this "Eine Kleine Tonite Mix" together to accompany that album in an unofficial capacity, to showcase this Krautrock music, as a gift to his fans & as a promotional tool for my (now defunct) clothing label Tonite. I say "we", but infact the mix is all Henry's work; I once again lent my records, suggesting what I thought were the strongest tracks. Henry by no means stuck to these suggestions, choosing what he felt would work & blending the seperate tracks together into a seamless whole. Some tracks are on the mix in their entirety & some are quite severely edited. I love what he's done with it...even tunes that are well familiar to my ears are given a new life. One last thing for the purists: not all the artists on this mix are German but all the music was released on German labels.
Enjoy!
Fergus
HERE
A few people have emailed me regarding more info about Drug Problem of New Zealand. Matt from the band pointed me in the directon of No Way Out Records the only place these can be purchased i believe.


Parabellum (of Colombia) were a big influence on Mayhem or at least Euronymous and you can tell. If you like Reencarnación then you'll probably be into this too. It compiles all of the Parabellum material, well 2 EP's Sacrilegio '87, Mutacion Por Radiacion '88 and some demo/rehearsal recordings. Anyway i was reading a review of this release and thought it funny 'cos everything this fella hates about it is everything i thinks fuckin' great...
"Just listen to the first track ''Engendro 666''. Starting with a acoustic guitar section which just doesn't fit, plus the guitar is out of tune. (Hah, normally I'm having a hard time hearing that, but this was just too easy to notice.) Then, the basic drumming kick in, some guitar ''riffs'' out of nowehere appear and the vocalist is screaming his ass off and it sounds like he's having no idea what he's singing. At 4:16 there's a guitar ''solo'' which has absolutely no purpose and sounds more irritating than good. What's next? Noise! Lot's of fucking noise! Someone make it stop, please! The vocals, which sound too chaotic are the best on this compilation. The vocals are similar to those done by that guy from Necrovore, something in between of black/death metal vocals. They sometimes, however sound over dramatically and chaotic. The lyrics weren't written in English, so I can't judge them. The guitar riffs are mediocre and uninspired and more noise than anything else. The guitar ''solo's'' are nothing more than pure garbage. The drumming is either too basic, like a standard metal band, or totally lacks rhythm and plays something chaotic that doesn't fit songs. The song writing is just bad. Lot's of random noise and annoying random screams/growls, rhythm lacking drumming, weird guitars. The production is also bad. The instruments sound either like a big mess and create noise, or sound separated from each other, like they were afraid to record this, which isn't a weird idea actually."
By the way the cover above is from Mutacion Por Radiacion 'cos the one provided by Blasfemia stinks.
Parabellum - Tempus Mortis (Blasfemia, 2005)...
HERE
Reencarnación's 888 Metal LP was posted earlier on THIS page
(i might post the demos tomorrow)

Classically trained musicians Florian Schneider and Ralf Hütter formed Organisation in 1968. Their music was a mixture of sounds, feedback and rhythm. The band took part in various performances at art galleries and universities.
They recorded one album for RCA Victor early 1970. The line up was Fred Monicks on drums, Butch Hauf on bass, Basil Hammoudi on percussion, Florian Schneider on flute and violin and Ralf Hütter on organ. The sales were poor but nowadays it is very sought after and many bootleg releases exist.
After Organisation Ralf Hütter and Florian Schneider continued as Kraftwerk. (Discogs)
Organisation - Tone Float (RCA/Victor, 1970)...
HERE

Tones On Tail - Performance
For Against - Amen Yves
Trisomie 21 - The Last Song (Original Version)
UV Pøp - Serious (12" Version)
O T O - Anyway
Profil - Berühren
Tuxedomoon - Crash! (Remix)
Mark Lane - Sojourn (Version)
Click Click - Stay Out Of The Water
Second Layer - Courts Or Wars
Ensemble Pittoresque - Sleepwalking
UV Pøp - Sleep Don't Talk
The Flowerpot Men - Jo's So Mean To Josephine
Im Namen Des Volkes - Ich War Da, Leergebrannt
Chris & Cosey - Passion
Endzeit - The Dream Of Syros
HERE
















