1
Ambient/Noise solo project of Anthony Di Franco (Ax, Ramleh, Ethnic Acid and Skullflower).
HERE
Cold Spring Records
4
"I put this together after hearing the essential DJ Chaos Live Mixxx (Yamataka Eye); the JD Twitch’s CD compilation that accompanied his 10 Inches of Fear re-edits; and having Fergus “Fergadelic” Purcell play me a great Modern English tune from 1980 (included at the end of this selection). All reminded me of a time when the 1970s turned into the 1980s and UK punk rock turned into something different. This selection is mostly British (all but one tune) and spans 5 years from 1978-1983. It was a dark time in the UK as Thatcher took hold of the reigns of power. Let the dirge commence."
Thanks to Russell
HERE (new link)
Amos
5
Robert Welch of The John Birch Society in 1974 quoting from a speech he made in 1958 about the criminal insider policies of The U.S./U.N. agenda; privatisation and the merging from within the establishment of banks, private foundations/corporations, think tanks and other non-governmental organisations. Ultimately gaining control socially, geopolitically and economically. Eerily reminiscent of todays state of affairs.
3
"drumcomputergrind" from one of my moist favoured blogs: Am I Mean?
Wadge/Blower split (1998)...
HERE
13
Punish And Destroy (Cowabunga, 2007)...
HERE
Torture EP posted earlier...
HERE
BUY THE NEW ONE
3
(Released on Philip Glass' label Orange Mountain Music)
"The LP release of this Glass score was released in the 1980s in a severely truncated form with only 6 tracks and 45 minutes of music. This newly re-mastered recording features 13 tracks and over 76 minutes of music including the original sound-effects and additional music used in the film."
HERE
GLASS
ORANGE
5
Analog Synthesizers:
EMS VCS3 "The Putney", Roland System 100, Roland System 100M, Doepfer A-100 Modular Systems.
Analog Echo Machines:
Mirano Echo Chamber 3, Mirano Echo Chamber 3R-S, Mirano Echo Chamber 4R, Maestro Echoplex EP-3, Hawk 5 Head Echo Unit HE-2150, Roland Chorus Echo RE-501, Roland Chorus Echo RE-301, Evans Super Echo EE-6, Mooger Fooger Analog Delay MF-104, Yamaha Analog Delay Model E 1010, Maxon Multi Mode Analog Delay AD202, Maxon Analog Delay AD-900.
Space Machine - Cosmos From Diode Ladder Filter: Inner Mind Music Series 1(Alchemy, 2001)
HERE
Space Machine - Modular Series Model 101 - Dimension Degenerator posted earlier...
HERE
Yamazaki Maso
2
EASTBAYHATEGRIND
THOUSANDSWILLDIE - Demo (2007)
THOUSANDSWILLDIE - A Carcass Is Only Dead Once EP (2008)
THOUSANDSWILLDIE - 'Raiz Diabolica' split w/Psychofagist (2008)
HERE
theirspace
4
Folklorist Dr Harry Oster had discovered Williams in Angola Penitentiary, serving a life sentence for murder, Robert Pete's self-taught, modal guitar playing, and long, improvised blues about his life and feelings, often unrhymed and semi-spoken, at once marked him out as a unique blues artist.It was thanks largely to Oster's efforts that when these recordings were made, Robert Pete was free on parole, although, as The Hay Cutting Song wittily notes, it was a harsh kind of freedom, working 80 hours a week for $75 a month. In his songs, Robert Pete unflinchingly confronts a world in which loneliness, death and approaching old age loom large. Williams, born in 1914, is now dead.
Robert Pete Williams - Free Again (Prestige/Bluesville, 1961)
HERE
MORE INFO
Harry Oster info
7
Eddie "One String" Jones was discovered on LA's Skid Row in 1960, carrying a 2x4 plank, with a single broom wire stretched along it, and a tin can mounted over one end. Although discovered isn’t strictly true. He had, in fact, approached folklorist Frederick Usher himself, and spanked his 'diddley bow' (or three-quarter banjo) by sliding a half-pint bottle along the wire with his left hand, striking the wire near the tin can with a whittled stick in his right, demonstrating “the onliest music that can't be captured by six strings”. Released at a time when musicologists were desperate to order and classify the sub-genres of African-American music, One String Blues ending up in the ‘ethnic musics’ section of public libraries, and its potential audience of stoners, goof-offs and garage freaks really missed out, because “One String”’s sound is weird: droney grooves and minimalist beauty accompanied by Jones’s gabber-patter which sounds literally out-of-this-world. Accompanied by the more straightforward melancholy blues of South Carolina harmonica man, Edward Hazelton, One String Blues is a masterclass in moon-touched authentic madness. (Andrew Male)
Eddie "One String" Jones/Eddie Hazelton - One String Blues (Takoma, 1968/recorded 1960)
HERE
MORE INFO
1
Bad Acid Trip/Wadge/Captain Three Leg/Gore Beyond Necropsy/Pyuria/Parade of the Lifeless/Hated Principles/Machetazo/Grossmember/N.O.Y.F.B./Violent Headache/Noisear/Pantalones Abajo Marinero/Krabathor/Autoritar/Humanextermination Project/Blood Suckers/Pissed Cunt/Drunken Orgy of Destruction/Carrion Crawler/Senor Lululalo/Ruido
v/a Where's Your Beard? C-48 comp (Mortville, 1999)...
HERE
MORE INFO/NOISE