smack-head style jamming

1. Brotherhood Of Man: Predator Vision s/t cassette (Future Sound, 2007)
2. Spirit In Flesh: Predator Vision s/t cassette (Future Sound, 2007)
3. Eyes Of The Demon: Predator Vision II cassette (Abandon Ship, 2008)
4. The City's A Jungle: Predator Vision II (Abandon Ship, 2008)
5. Real Aliens: Sun Araw split l.p. (Not Not Fun, 2009)

I'LL BLEED YA, REAL QUIET (new link)

£££

Razor X Productions: Killing Sound - Versions disc (Rephlex, 2006)

YARDCORE

Rhys Chatham - Selected Works 1971-1989
(Table Of The Elements, 2002)




Tracklisting:

CD 1
Two Gongs (1971)

CD 2
Die Donnergötter (1985)
Waterloo, No. 2 (1986)
Drastic Classicism (1982)
Guitar Trio (1977)
Massacre on MacDougal Street (1982)

CD 3
An Angel Moves Too Fast to See (1989):
i. Prelude
ii. Intro
iii. Allegro
iv. No Trees Left: Every Blade of Grass is Screaming
v. Adagio

[wiki]

23 trax

Stapled Shut Demo (1996)...

HERE

Fugitive Equilibrium

Doesn't half get a bit Dukes of Hazard at times but thats probably down to old Red being born within a dixie whistle of Hazard, Kentucky.

Red Allen/Frank Wakefield The Folkways Years 1964-1983

HERE

Studio jams and workouts. Worth it if only for track 2.

Miles Davis - The Lost Mid-70's Sessions (1973-76)

HERE

The first 7" from Ethan Bucklers band King Kong and the only release to feature the full Slint line-up of Brian McMahan, Britt Walford and David Pajo. Sounds nothing like Slint though.

King Kong - Movie Star 7" (Drag City, 1989)

HERE

tough talk from shitty council estates

Hollowman Giggs Presents The SN1 Mixtape Another Quick One Bootleg (2009)

HERE

Born Against Live At Gilman Street (1993)...

Albany Academy
Mary And Child
Nine Years Later
Riding With Mary
This Trash Should've Been Free
Shroud
Footbound And Hobbled
Mountain Dew
The Good Father
Wearing A Lampshade
Five Dollars An Hour
Poland
Bit Part In a Bad Movie
Movin On Up
A Whopper of a Tale
Lillian

CHOKE

CAPTAINS LOG

Suicider doo-wop; cadence swathed in rumble, hiss and buzz.

Martin Rev s/t (Lust/Unlust, 1980)...

HERE

"Tom Fazzini’s combination of minimal synth and brutalist/absurdist industrial songs had more in line with the broader discomforts of the early 80s international tape network, Family Fodder, LAFMS, Flying Lizards and Ralph records than the agit pop that dominated the Leeds music scene at the time. Once an outsider, always an outsider." Locust Music

Tom Fazzini - Neck To Neck (1984)...

HERE

Documentary about the rise of tin-pot Skateboard mogul Steve Rocco, whose company 'World Industries' and it's cohorts (Blind, Plan B, 101, Foundation) were instrumental in revolutionising the skate industry, away from the vert riding skulls n' daggers stench of the 80's and giving the kids what they'd wanted: proper street skating, good design aesthetics and unorthodox ad campaign's.

The Man Who Souled The World (2007)...



Skate Video Days compilation posted way back...

HERE

Omar S - Psychotic Photosynthesis single sided 12" (FXHE, 2007)...

including the no bass version

HERE

FXHE

(the Russian Blackdeath)

Chronicles Of Hellish Circles (Hammer of Damnation, 2009)...

HERE

H.O.D.

DBX - Rare & Unreleased

High Voltage
Beep
Baby Judy
Squelch
Schizo
Raw
Rubber Ducky
Losing Control (Richie Hawtin RMX)

CLIK

wiki

minimal | acid | techno

Philus - Kolmio EP (Sähkö, 1998)...

HERE

buy

The path of Superion is the ultimate journey into the dark and forbidden domains of knowledge, strength, power, hatred and the loss of weaknesses such as the "guilty conscience" and the feeble moralities that are forced on to the common man of this age. Without the purest of commitment to these words, there can be no victory.

Revenge:

Attack.Blood.Revenge (Dark Horizon, 2001)

Superion.Command.Destroy (War Hammer, 2002)

HERE

J Read interview

This is where it all began. That 30% or so of black metal bands who play that style that sounds like nothing but chaos to the inexperienced and at its best represents the dizzying heights that black metal can be taken to. Beherit, Proclamation, Conqueror, Revenge, Archgoat… these bands would sound nothing like they do or did if it wasn’t for Blasphemy. Combining the speed of grindcore, the hardness and grit of first wave death metal, and the evil of early black metal (such as Mayhem – Deathcrush), Blood upon the Altar showcases Blasphemy’s unique take on extreme metal in its rawest, most unrefined form. Their instantly recognizable style would soon be developed and matured until it reached its peak on Gods of War four years later, but Blood upon the Altar is still an undeniable classic, the very first of its kind. (Metal Archives)


Blasphemy - Blood Upon The Alter (demo, 1989)...

HERE (new link)