DJ Screw - 3'N The Mornin' 1 & 2 (Bigtyme, 1995)...

HERE

Analog Synthesizers:
EMS VCS3 "The Putney", Roland System 100, Roland System 100M, Doepfer A-100 Modular Systems.

Analog Echo Machines:
Mirano Echo Chamber 3, Mirano Echo Chamber 3R-S, Mirano Echo Chamber 4R, Maestro Echoplex EP-3, Hawk 5 Head Echo Unit HE-2150, Roland Chorus Echo RE-501, Roland Chorus Echo RE-301, Evans Super Echo EE-6, Mooger Fooger Analog Delay MF-104, Yamaha Analog Delay Model E 1010, Maxon Multi Mode Analog Delay AD202, Maxon Analog Delay AD-900.

Space Machine - Cosmos From Diode Ladder Filter: Inner Mind Music Series 1(Alchemy, 2001)

HERE

Space Machine - Modular Series Model 101 - Dimension Degenerator posted earlier...

HERE

Yamazaki Maso

Carne Brasileiro Black Metal

Sovereign - In The Influence Of Mars (2001)

BIFE

EASTBAYHATEGRIND




THOUSANDSWILLDIE - Demo (2007)

THOUSANDSWILLDIE - A Carcass Is Only Dead Once EP (2008)

THOUSANDSWILLDIE - 'Raiz Diabolica' split w/Psychofagist (2008)

HERE

theirspace

Folklorist Dr Harry Oster had discovered Williams in Angola Penitentiary, serving a life sentence for murder, Robert Pete's self-taught, modal guitar playing, and long, improvised blues about his life and feelings, often unrhymed and semi-spoken, at once marked him out as a unique blues artist.It was thanks largely to Oster's efforts that when these recordings were made, Robert Pete was free on parole, although, as The Hay Cutting Song wittily notes, it was a harsh kind of freedom, working 80 hours a week for $75 a month. In his songs, Robert Pete unflinchingly confronts a world in which loneliness, death and approaching old age loom large. Williams, born in 1914, is now dead.

Robert Pete Williams - Free Again (Prestige/Bluesville, 1961)

HERE

MORE INFO

Harry Oster info

Dahmer - Dahmerized LP (Clean Plate, 1996)

DAHMER

HERE

Cripple Bastards/Agathocles - Live + Demo'92/Live'89
(E.U.'91 Produzioni, 1993)

Top-Gun Italogrind/Belgian Mincecore split cassette, track ratio 65/15 in favour of the wops

HERE (even newer link)

Eddie "One String" Jones was discovered on LA's Skid Row in 1960, carrying a 2x4 plank, with a single broom wire stretched along it, and a tin can mounted over one end. Although discovered isn’t strictly true. He had, in fact, approached folklorist Frederick Usher himself, and spanked his 'diddley bow' (or three-quarter banjo) by sliding a half-pint bottle along the wire with his left hand, striking the wire near the tin can with a whittled stick in his right, demonstrating “the onliest music that can't be captured by six strings”. Released at a time when musicologists were desperate to order and classify the sub-genres of African-American music, One String Blues ending up in the ‘ethnic musics’ section of public libraries, and its potential audience of stoners, goof-offs and garage freaks really missed out, because “One String”’s sound is weird: droney grooves and minimalist beauty accompanied by Jones’s gabber-patter which sounds literally out-of-this-world. Accompanied by the more straightforward melancholy blues of South Carolina harmonica man, Edward Hazelton, One String Blues is a masterclass in moon-touched authentic madness. (Andrew Male)

Eddie "One String" Jones/Eddie Hazelton - One String Blues (Takoma, 1968/recorded 1960)

HERE

MORE INFO

This series is about how those in power have used Freud's theories to try and
control the dangerous crowd in an age of mass democracy. (Adam Curtis)

part II / part III / part IV